Posts Tagged ‘food’

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What am I baking on Pi Day?

March 14, 2019

Seattle-based pie baker Lauren Ko has a multitude of non-edible inspirations that influence her creative pastry designs, including textile patterns, architecture, and string art. These elements are woven into her colorful, and often geometric, fruit pies and tarts topped with thin, undulating strips of apples, precisely placed pomegranate seeds, and triangles of radiating strawberries. Often Ko will color a portion of her dough with natural food dyes like beet butter to add even more color to the finished dessert. You can learn step-by-step instructions for how Ko creates her enticing sweets in this video made by Tasty, and follow the evolution of her pies on Instagram.

from Colossal

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What has me saying, “brrrr!”

February 25, 2019

You’ve seen the perfect arcs of boiling water solidified mid-throw, and perhaps this frozen speeding sign that duplicated itself over 2019’s Polar Vortex, but have you seen ghost apples? Thanks to a Facebook post by farm manager Andrew Sietsma, the phenomenon has captivated the internet, leaving commenters to marvel at the sight of these glass-like specimens that remain after apples have rotted from their icy exterior. Sietsema told CNN that this winter the weather in western Michigan was “just cold enough that the ice covering the apple hadn’t melted yet, but it was warm enough that the apple inside turned to complete mush (apples have a lower freezing point than water).” Jonagolds are one of Sietsema’s favorite apple varieties, but on the farm they are now referred to as “Jonaghosts.”

 

from colossal

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What am I baking?

February 21, 2019

Yesterday was muffin day but today I tackled no-knead foccacia rolls from Budget Bytes. They are spectacular and easy!  I left off the Italian seasoning on the top, but did brush them with olive oil.  Crispy and crusty and delicious.

Ingredients

  • 4 cups all-purpose flour
  • 1/2 Tbsp salt
  • 1/4 tsp instant yeast
  • 2 cups water
  • 2 Tbsp olive oil 
  • 2 Tbsp Italian seasoning

Instructions

  • The day before (about 18 hours ahead of time) combine the flour, salt, and yeast in a large bowl. Stir until well mixed. Add the water, starting with 1.5 cups, and add a little more at a time until the flour forms a cohesive, wet ball. There should not be any dry flour left on the bottom of the bowl. The total amount of water you’ll need will vary, but should be between 1.5 to 2 cups. See the photos below for more info.
  • Loosely cover the bowl with plastic wrap and let it sit at room temperature for 16-18 hours to ferment.
  • After 16-18 hours, the dough will look like a large, bubbly mass. Sprinkle with enough flour to be able to scrape it out of the bowl without it sticking to your hands. Place the dough on a well floured surface. Cut the dough into 12 pieces. Shape each piece into a small ball. The dough will be quite wet, floppy, and sticky, so sprinkle liberally with flour as you work.
  • Place the rolls on a baking sheet covered in foil and lightly sprayed with non-stick spray (I used two baking sheets). Brush the top of each lightly with olive oil. Sprinkle the Italian seasoning over top. Let rise for 30 minutes to one hour or until doubled in size.
  • While the rolls are still rising, preheat the oven to 425 degrees. Once it is fully preheated, place the rolls in the oven and bake until the surface is a light golden brown (about 25 minutes). Serve warm!
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What am I drinking?

January 9, 2019

Several years ago, while Marianne Eaves was in the midst of renovating Castle & Key Distillery outside of Versailles [note: it is pronounced Ver-Sales], Ky., she came across an antique bottle of Old Taylor bourbon.

The distillery grounds had originally belonged to Col. Edmund Haynes Taylor, Jr. (known in the whiskey world simply as E.H.). Taylor was a leader in industrializing bourbon production during the early 20th century.

After Taylor died in 1923, the distillery passed through several owners, but eventually fell into neglect for 40 years. The grounds became a tangle of foliage and the exterior of buildings began to crumble.

Then in 2015, Eaves — who is the first female Master Distiller of Kentucky bourbon since Prohibition — along with her business partners, Will Arvin and Wesley Murry, began to bring the distillery into the modern age of bourbon production.

But that antique bottle of Old Taylor, which was originally released in 1917, inspired Eaves — whose background is in chemical engineering — to use new technology to examine the bourbon’s past.

“The most dominant flavor in that 1917 bourbon was the butterscotch note,” Eaves says. “That’s something that bourbon aficionados and the ‘dusty hunters‘ recognize about historic Old Taylor bourbon is this beautiful, rich, creamy, sweet butterscotch note — and the mouthfeel of that particular bottle was really unique for a historic whiskey.”

That taste was something Eaves wanted to incorporate into Castle & Key’s bourbon, but she was at a dead end of sorts. While modern bourbon brands keep meticulous notes on measurements and processes, pre-Prohibition brands, such as Old Taylor, were built largely on oral histories.

“They were just going all on flavor. They had these processes that had been handed down for hundreds of years, so they were just doing things the way the guy before them had — just knowing it would make alcohol,” Eaves says.

And while she didn’t know Taylor’s exact process, Eaves had both tradition and science her side.

Susan Reigler, a bourbon historian and biologist, explains that in order for a distillate to be considered bourbon, it must meet a few basic requirements: the spirit has to be grain based; the mash bill (mix of grains) has to be 51 percent corn; it must be aged in new, charred-oak barrels; and it must not be introduced to the barrel at higher than 125 proof.

After the grain mash is cooled at Castle & Key, it’s placed in a large tub where it begins to ferment. During alcoholic fermentation, yeasts convert the sugar into alcohol and carbon dioxide.

“Because of this, certainly, the process that goes on in the still is basically the same — the chemistry is the same,” says Reigler, who is also the author of The Bourbon Tasting Notebook. “And the compounds in the spirit are something that can be assessed.”

Which is exactly what Eaves did.

“We decided to use a good old-fashioned ‘GC’ — gas chromatography,” she says.

Chromatography is a process used by scientists to separate a mixture of chemicals, in liquid or gas form, into components by running it over the surface of another substance, typically a liquid or solid. A visual example often used in classrooms is pouring a water droplet onto an ink mark on a piece of paper. The ink — which is a liquid mixture of several dyes — will separate on the paper into distinct, colored streaks.

In the case of the Old Taylor bourbon, the liquid was separated into different chemical compounds.

“Then we looked at these chemical compounds and from there, we were able to figure out what grains he was using, [and found] a yeast strain that has a similar flavor profile,” Eaves says. “So that’s how we went about it and constructed our recipe based on it, loosely. We didn’t really want to replicate what he was making exactly, but take those flavor cues from the past, and then model our recipe around that.”

The bourbon is distilled and is currently aging for a minimum of four years.

According to Reigler, many people still don’t recognize all the science and technological innovations that underpin the bourbon industry — from increasingly computerized distilling systems to spirits analytics like what Eaves did with the antique bourbon.

“We have a lot more people in white coats that are involved in the bourbon industry, so I think all of that is very different than what E.H. Taylor would have been familiar with,” she says.

From Ashlie Stevens – NPR The Salt

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What am I watching?

January 9, 2019

I admit to being a fan of the Great British Baking Show.  While I enjoy the illustrations describing what the bakers are going to make, I did not give them much thought until I read this article about the show’s illustrator:

In the midst of The Great British Baking Show’s controversial migration between British networks two years ago — a creative decision that lost 75 percent of the show’s personalities — tabloid speculation ran wild at the time about what this new Baking Show iteration would entail, given that the only person following the dough was Paul Hollywood and his piercing blue eyes. The only person on camera, that is. Because also choosing to stay in the show’s family was Tom Hovey, arguably the fifth puzzle piece in its sugary, buttery DNA. You don’t know his face, but you definitely know his work — and that’s because he’s responsible for creating every illustration in Baking Show history, from day one and beyond.

“It’s a real case of being at the right place at the time right time,” Hovey told Vulture about landing the gig. “My best mate worked in television and suggested that I apply for a job in ‘the edit’ at this new cookery show. With no TV experience or idea about how edits worked, I blagged my way in and started two days later.” Soon after beginning this editing job, though, Hovey admitted to the directors and editors that his passion was actually illustration, which spurred the higher-ups to spontaneously incorporate something artistic into the show. “It led to the director coming to me in the second week saying that he felt there was a visual element missing and maybe I could come up with some ideas,” Hovey recalled. “I sketched a few examples, we decided on a style that fit the bill and I got the gig.”

 

more at The Vulture

See also his website

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What am I knitting?

December 26, 2018

from Wirecutter

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Where am I dining today?

December 10, 2018

Each year on December 10, Nobel laureates gather at Stockholm’s City Hall to feast. Receiving a Nobel prize, whether for literature, science, or advances toward world peace, comes with a significant monetary prize, as well as a gold medal bearing the face of Albert Nobel, the explosives tycoon whose will established the awards. But the Nobel banquet, which has been described as “the greatest dinner party on earth,” is its own reward. You might assume that the highlight is the laureates receiving their prizes. But the dessert course is equally climactic: It’s presented with grand sparklers and a parade. For decades, it featured official Nobel ice cream, too.

The very first Nobel banquet in 1901.
The very first Nobel banquet in 1901. Image provided by the Nobel Foundation

Nobel banquets have been held since 1901, and each year, the menu is exquisite. That’s to be expected: Some of the world’s most lauded people, not to mention Swedish royalty and dignitaries, are in attendance. In the first few years, the food was mostly French-style, the cuisine of the elite. Only later in the century did Swedish dishes and ingredients take center stage, with filet of sole being replaced by filet of reindeer. But until recently, there was one constant: For dessert, dozens of waiters descended the grand staircase with trays of Nobel ice cream and sparklers, a fitting accompaniment to the Nobel Prize’s explosive origins.

The Nobel banquet is always a sparkling affair.
The Nobel banquet is always a sparkling affair. Dan Lepp, © Nobel Media AB

The ice cream did vary from parade to parade. But starting in the 1970s, an ice cream bombe became standard (another strangely appropriate choice considering Albert Nobel’s career). This Nobel ice cream typically entailed layers of ice cream and fruit sorbet, decorated with spun sugar and an edible “N” for Nobel, and it was served every year at banquets until the early 2000s. Though the flavors could vary, from raspberry and vanilla to kiwi and passionfruit, Nobel ice cream became a tradition. One documenter of the Nobel banquets called changing the dessert “unthinkable.” But change it did.

At Bistro Nobel, you too can have dessert like a prizewinner.
At Bistro Nobel, you too can have dessert like a prizewinner.

After 1998, chefs tapped to make the Nobel meals were allowed to eschew tradition. According to Nobel Foundation representative Jonna Petterson, this “let a pastry chef create a new dessert for each year with a modern touch.” Since then, Nobel diners have enjoyed their coffee and special Nobel tea blend with ice cream-less desserts such as “Chocolate silhouette with nougat and sea buckthorn explosion.” Thankfully, the pyrotechnic parade continues to this day.

Though hundreds of guests enjoy the banquet each year, the rest of us can only hungrily watch. Even the menu is kept secret until December 10, supposedly to stop restaurants from throwing their own Nobel banquets on the same day. But below Stockholm’s City Hall, the restaurant Stadshuskällaren will sell customers Nobel banquet meals from any year, on any day other than December 10. Or, if you don’t have Nobel Prize money to drop on a lavish dinner, stop by the Nobel Museum. There, the Bistro Nobel serves Nobel ice cream: a berry and vanilla bombe, with spun sugar and a cloudberry, accompanied by one tiny, foil-wrapped Nobel medal, made of dark chocolate.